Bill Mitchell’s Wool Secretariat mural receives Nationally Listed Status.
The listing announced last week of 41 postwar outdoor public sculptures was not only excellent news for the arts in general, but also for my friend Bill Mitchell whose wonderful bas relief “The Story of Wool” was amongst the works deemed worthy of official protection…
And quite right too. I first wrote about this amazing piece back in April 2011 noting at that time how little I could find out about it online, I wasn’t even certain it still existed…
Jump forward 5 years and as the word continues to spread not only about our phenomenally rich post war artistic heritage, but also about the oeuvre of Mr. Mitchell himself, the number of sites and references to his work seems to be increasing at an exponential rate, which is obviously welcome news indeed….
Located in Ilkley, West Yorkshire the new headquarters building for the International Wool Secretariat was designed by local architect Richard Collick and opened in 1968. Bill was commissioned to create a work to wrap around the lecture theater which Collick had placed over the main entrance. Taking the themes of wool and textiles as a starting point, Bill created what is undoubtedly one of his finest works, and certainly one of my most favourites.
Rich in detail and imagination with his trademark, deeply recessed and figured surfaces, it was one of the first sculptures Bill made using bronze-faced glassfibre, a material he was involved in developing during the mid 60’s and which he also used to impressive effect on his entrance doors for Liverpool Metropolitan Cathedral completed the year before in 1967.
The large abstracted ram motifs to the front and the stylised microscopic cross sections of wool fibres on the side, are tied together by layers of patterning and texture that take their inspiration from the many forms that knitted wool can be transformed into.
So huge congratulations to Bill, as his work continues to get the recognition it so richly deserves. I for one am very pleased to see his name alongside those of Epstein, Moore and Hepworth, great and gifted artists whose work has quite rightly been recognised as worthy of preserving for the enjoyment of future generations.