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The Bizzare Captain EO….

October 31, 2016 Leave a comment Go to comments

Michael-Jackson-Captain-EO-Back-3D-DisneylandI came across a 30 year old story recently involving three of the biggest names in music and film that I didn’t have the faintest idea about… So on the assumption that you might not have heard of it either and have a spare couple of minutes to read this and 16 minutes to watch the film, it goes something like this…

In August 1985 George Lucas and Francis Ford Coppola announced that along with a certain Michael Jackson they were working on “the ultimate movie experience”.

Originally known as the “International Music Man” the production now known as Captain EO (from the Greek eos or dawn) was a Disney generated idea for a themed park ride. Disneyland was struggling around the mid 1980’s and saw the idea of a big production with even bigger names, as a way of reversing the fortunes of the theme park. Accompanying the ride would be a short film that would be exclusive to the park and would not go on general release, so (they hoped) ensuring people would drive to the park to see the new attraction…

Captain EO was the tale of an emissary of light, a messiah if you will, travelling the universe saving its denizens through the gifts of song and love. There would be spaceships, space battles, assorted alien creatures and unsurprisingly with MJ on board, unfeasible amounts of dancing…

eo301

One of the first films made with the then nascent 3D technology, it was also described by Disney as the worlds first 4D production. As it was only shown in specially modified cinemas at Disneyland, the on screen effects were supplemented with lasers, smells, smoke and flying asteroids filling the cinema auditorium itself.

-Captain-Eo-Set-michael-jackson-7357527-1098-720

Like so many things involving MJ at the height of his fame, budget was seemingly not a major consideration and as a consequence the film ended up being the most expensive production ever made up to that time, supposedly almost $1 million per minute and with more effects per minute than Star Wars.

Time however was a limiting factor with both Ford Coppolla and Lucas having other projects already lined up, so once the story had been finalised, principal photography was wrapped up in less than two weeks…

eop220092LARGEBy all accounts the first edited version seen without many of the state of the art effects, was lamentably poor, allegedly it was even hidden from senior Disney executives for a while, it was so underwhelming. Jackson was no lead actor and the Muppet’s in Space appearance didn’t give the production much in the way of credibility or gravitas…

Additional filming and further editing got the film to a more acceptable state (although you can make your own mind up about that) despite one of the principle muppet characters having been lost and replaced by a painted ballcock and Angelica Houston’s role as the principle baddie being significantly reduced (possibly at her own request…)

The end result is a very strange thing. Even allowing for the now 30 year old effects, it seems unbelievably ropey given the money, talent and staus of the key players involved. A hybrid of ideas stolen from Star Wars, Alien (Houston’s Spider Queen), MJ’s Thiller video, Frank Oz’s The Dark Crystal and all points in between. Even the songs seem halfhearted and unconvincingly delivered when compared to Thriller from 2 years earlier and Bad from two years later.

Perhaps its not surprising then that even after all these years and despite a huge demand for it to be made available after Michael’s death in 2009, it can still only be seen in very poor quality versions like the one below..

There’s a detailed account of the films history here if  you’re interested..

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